One of the key necessities to develop together in Oblivia always has been: spending time together in the same space. Enough of it. Physically. In the studio, some rehearsal stage or stage, in the kitchen during breaks, on the… Read more
When working in Oblivia the amount of the elements sometimes exceeds my scope. When trying to focus on what is essential, it seems like there is often something clear and sharp in the middle but also a lot of… Read more
3, 2, 1 lift-off, a new Oblivia production has started! We are ready to dwell into everyone’s dreams, fears and wishes, we talk and talk, write, talk more, share our writings, improvise together with movement and sound, listen to… Read more
Fanfares! Haze! Applauds and confetti! With deep excitement, we, the Obsessions team introduce our personal relationships with music theatre – or how we experience it in February 2021.
Welcome to the blog… Read more
This last February, Oblivia performed “Verdrängen, Verdrängen, Verdrängen,” a collaboration between the theater group and composer Yiran Zhao, at the Stuttgart ECLAT festival for new music. This was the first time the group had worked with a composer to… Read more
I understand the need to shy away from the word collective as in the article of Bojana Cvejic from 2004. Some curators had perhaps lived in a collective, and felt the smell of lentil soup and the sight of… Read more
In this text I will try and describe some elements of improvisation in Oblivia. I don’t try to grab on improvisation as an art form or sort out different performance practices related to for example dance or theater improvisation.… Read more
Tua Helve, costume designer, and Meri Ekola, light designer, discuss on sharing. Recorded at Pact Zollverein, Esssen, Germany in 2018.
Where do we store what we collect when we work collectively?
Making something together that does not belong to… Read more
Annika Tudeer and Christian Koch. A discussion on collectivity, Pact Zollverein, Essen, Germany 2018.